Video by Sarkodie performing 'Brag'. (C) 2024. Sarkcess Music

Song produced by FORTUNE DANE.

Video directed by KJ Spio & Kunai.

Choose your preferred music service - https://ditto.fm/-brag

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(c) 2024 Exclusively licensed under Eagle/SarkCess through Ziiki Media

Listen to Sarkodie on:
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Apple Music: https://music.apple.com/ng/art....ist/sarkodie/3261848
Boomplay: https://www.boomplay.com/artists/43638
Deezer: https://www.deezer.com/us/artist/4101336

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The Fatal Business Of Policing


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TitoM, Yuppe and Burna Boy present the official video to Tshwala Bam Remix, featuring S.N.E.

Available to Stream / Download: http://africori.to/tshwalabamremix

© 2024 Boundary Ent / Spaceship

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Lyrics:

Ma jo jo
Ma jo
Ma jo jo

Ma jo jo
Ma jo
Ma jo jo

Since 1947, the matter never settle
You be pot, I be kettle
My sability lo ya won l’enu

Better recognise
Greatest of all time
No other name them go call mine
As I dey shine teeth I’m not nice

Monday Ita La wa
Tuesday Ita La wa
Wednesday Ita La wa
As long as Naija La wa

Them they call me the Godfather
Move like an Italian
Ti ara ba n’ta yin [If it’s paining you]

Have you ever seen a nigga like moi
Each and every lady wanna gimme me MWAH
We dey smoke weed, we no dey smoke cigar

Na we ite Achorom nwa

I no do pass king Solomon
I get high adrenalin
If you no like me iwo lo mo
My advice is run along
Cause my guys ti won Bo L’ona
Make the sky start falling down
Ti ori ba n’ta yin I’m still your daddy

Ngixolele mzala
Ungay’qed’ imali yami
Uyang’sind’ umthwalo wami
Ngal’theth'icala

Wetshwal'udlala ngami
Endlini bakhala ngami
Wadlala ngami wetshwala bami

Ngal’thetha icala lami
Kufik umongameli bakhala ngam
Manje nezitha sezizwana nami
Ngathi bebangakholwa ngabanik utshwala bam

Tito bangazodlala laba
Yuppe ayi utshwala bami
Jikijiki bang’thwalel umthwalo wami eish
We tshwala bami [my alcohol]

Ayi mongamel uyis’dakwa
Vele ngoba ngena macala
Amacase nama cord s’yavana
S’vele s’khwele kulo lodaba

Shibidim shibidam shibidibishamshe
Ivel'igubude siphuz intwengapheli pheli
Uzobadelel’ umongameli iyo y
Monday Ita La wa
Tuesday Ita La wa
Wednesday Ita La wa
As long as Naija La wa

Them they call me the Godfather
Move like an Italian
Ti ara ba n’ta yin

Ngixolele mzala
Ungay’qed’ imali yami
Uyang’sind’ umthwalo wami
Ngal’theth'icala
Wetshwal'udlala ngami
Endlini bakhala ngami
Wadlala ngami wetshwala bami

BURNA BOY & S.N.E OUTRO
x8 Tshwala bami [my alcohol]
x8 Ma jo jo [keep dancing]

Distribution by Africori: http://www.africori.com

TSHWALA BAM PRODUCTION CREDITS

Directed By The Alien 👽
Production Company - The Alien Visuals Productions
Service Production Company- Ladder, Lex & Booker
Video commissioner - Ronami Ogulu
Creative Direction - Mayhemcre8tives
Executive Producers - Adebayo Fakiyesi, Medina Ohida
Co-Producers - Fakiyesi Ayotola, Ebuka Nwobu
Line Producers - Chisom Nwobu, Omobolanle Irawo

PRODUCTION MANAGERS - Nina Baric , Mohammed Olatokunbo Giwa

PRODUCTION COORDINATOR - Tamara Doubrah
1ST AD Gbenga ojerinde
2nd AD-Ismaeel Aliyu Sani

LOCATION MANAGER - Jackson Bassey
CAST COORDINATOR :Taiwo Olukoga

DOP - Fed Edeogu FEDWORKS
DOP DAY 2 - Muyiwa Oyedele Mr. Movies
Gaffer - Geetee Ekemini
1st AC - Tobi Oloko
Grip - Frank Ugbem
STEADICAM Enerst MBA
CAM TECH Nexthought
RUNNER Taiwo olukoga
BTS PHOTOGRAPHY : Madu Peter
BTS VIDEOGRAPHY OHUNENI EMMANUEL OLUWASHOLA
DIT - Sowunmi Olufemi

ART DIRECTOR-Joy kadiri
ART ASSISTANT-Taiwo Ayodeji
SET DRESSER - Muyiwa Kayode
ART COORDINATOR - Ademorewa Stephenie Adebiyi
SET DRESSER - Chekus Nsolo

Post production House - Mayhemcre8tives
Post producer - The Alien
Editor - Kufreh Emmanuel
Colorist - Obinna Okoma (Obie Drakes)
CGI - Anie Greatman
VFX - JP OJOBO
Vfx supervisor - Daniel Adekunle
TITLE DESIGN - Nana “Adobemessiah” Chere, Ismaeel Aliyu Sani


STYLING
Burna’s Styling - Ronami Ogulu
CAST STYLIST-Ezeonyeprovidence Ozichukwu
CAST STYLING ASSISTANT-Gloria
CAST MAKEUP ARTIST-Fasasi Zainab
CAST MAKEUP ASSISTANT
CAST HAIR STYLIST-Rebeka Oluwakunmi Iyaki
CAST HAIR STYLIST ASSISTANT- Jo moh divine
Mutiat Olayinka Ajayi

PRODUCTION ASSISTANTS

Nbanoso Eberechukwu Ngozi
KINHO,DAVID OMOTAYO
AJAYI SARAH
Shina Opeyemi
Michael Etim
Johnson Ogunneye

Catering
WELFARE Coordinator - Opadayo Opeyemi “ Diamopearl catering service “
Clients Catering - Dish La Afrique

Make up - Jacqueline Omeife
Model - Faye
Model - Amma
Model - Meyy

DANCERS
Ore oladapo
Ebere Henry
David omobolaji
MUSTAPHA OGAH
IDRIS ABDULKAREEM
Sulaimon O Ayotomiwa
Johnbull
Emmanuel itoya micheal
Marshal Esther
Samuel FAVOUR
Dancebit universe
HOOD BOYS
Oliver Patrick
Adewunmi Oluwatosin
Kpemi Abraham
greatness Adebayo

#tshwalabam #amapiano #burnaboy #titom

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The secret role on how to create the hollywood look is through production designing. MOST IF NOT ALL THINGS START WITH PRODUCTION DESIGN! the colors, mood, tone, characters all of it starts with Production design!

I can honestly say some of my best work was when I was on a shoot with a production designer, art director or set designer. The first time I called myself a DP was when I hired a crew and learned the importance of a TEAM!

Most times people talk about the hollywood look it's always from a standpoint of camera and lighting but that's not the only assets that willl help you get the hollywood look. I would even argue that it's not the most important assets when trying to get the hollywood look. The best way to get the hollywood look and enhance your cinematography and is by working with a Production Designer! I feel like when people watch movies most times the director, cinematographer or editor gets all the praise but we always forget about how much production designing went into play to craft this world that we fell into for 2 hours of wathcing a film or show. Without production design, we're just pointing the cameras and hoping something pretty comes out of it. The best way to grow as a cinematographer is to learn how involved Production desiging should be in crafting our frames.

So in this video I wanted to just shed a little light on the importance of production designing to a cinematographer and how they work hand in hand in creating a visual world.

00:00 - Intro
00:28 - What is Production Design
01:08 - Why Is it Important to a Cinematographer
05:57 - The Creator Conversation
08:38 - Outro

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#cinematography #hollywoodmovies

shirin film dim din yar mallam mai abin mamaki

⁣Teaser

Brian Smith and Jackie Cuscuna's ice cream company, Ample Hills Creamery, was a runaway success. A few years after they launched in Brooklyn, New York, they were endorsed by Oprah Winfrey and opened a shop at Walt Disney World. Then, in 2020, the company declared bankruptcy. Six months later, Smith and Cuscuna filed for personal bankruptcy. Now they're trying again — with new investors and a bevy of lessons learned from failure.

Produced & Shot by: Zach Green
Senior Managing Producer: Eric M. Clark
Editor: Kevin Heinz
Animator: Elham Ataeiazar
Reporter: Ashton Jackson
Additional Footage: Brian Smith and Jackie Cuscuna, Getty Images

Subscribe to CNBC Make It: http://cnb.cx/2kxl2rf

About CNBC Make It: CNBC Make It is a new section of CNBC dedicated to making you smarter about managing your business, career, and money.

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#CNBC
#cnbcmakeit we Lost A $40M Ice Cream Business — How We're Rebuilding

Welcome back guys. In this video,

Watch the Lyric Video for D'Banj's new single, "Since '04", and sing along!Stream "Since '04" on ALL Platforms:

Mazi's wife has just been diagnosed with cervical cancer, she had the chance and opportunity to do pap smears years ago, but did not, who do you blame in this scenario? Mazi or his wife? Who has the responsibility for care in this scenario?

The official music video for "Small Money" by Nasboi.

Stream/Download https://ONErpm.lnk.to/Small-Money

Subscribe to Nasboi's channel for so much more music and comedy https://www.youtube.com/@UClMWEMx-I2ABuVqvPf1pyAg

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#nasboi #nasboismallmoney

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MAMA TAO AND BABA TAO ARE NOT WHO WE THINK THEY ARE! ARE THEY KIDNAPPERS FOR REAL? LETS FIND OUT!

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ADAMS EFFECT
DEYEMI ADESIDA

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6 MUST KNOW Cinematic Tripod Shots

In this video, we’re exploring the realm of cinematic tripod shots. 6 cinematic shot ideas using a tripod! These cinematic shot ideas without a gimbal are used by some of the best cinematographers and directors in the filmmaking industry! Tripod filmmaking might not be the “coolest” topic, but you’ll be surprised how many creative cinematic shot ideas there are using a tripod!

I'll show you how to execute these cinematic tripod movements so you can implement them in your next video project. Whenever people wonder how to film cinematic shots or videos, they expect there to be a lot of camera movement. But sometimes the secret for a cinematic shot lies in keeping things stationary, on a tripod!

For the best tripod cinematography and tripod video shooting, I can strongly recommend the SmallRig Freeblazer AD 100.



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